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An Arkansas Country Estate Built to Honor Its Historic Site

In North Central Arkansas, architect Bob Easton and Providence Design’s Kimberly Mannis replaced a 1940s stone house with a new country estate that honors its historic 70-acre site.
September 3, 2026
Stone facade of a new Arkansas country estate set into a wooded hillside above a spring-fed lake, framed by red and orange fall foliage

Text Tiffany Adams
Photography Rett Peek

In Arkansas, a new build pays tribute to its historic site by seamlessly blending into the setting while checking all the boxes on the owners’ wish list.

Stone facade of a new Arkansas country estate set into a wooded hillside above a spring-fed lake, framed by red and orange fall foliage
The home’s stone facade is not only a callback to the nearly century-old house that once sat on the property but also an effort to make the structure fit into its setting. “The view here kind of takes your breath away,” says designer Kimberly Mannis.

Seventy acres of natural terrain featuring waterfalls, ever-changing foliage, and plenty of wildlife seemed like the ideal place for this North Central Arkansas couple to call home. Known as Coweta Falls, the area is celebrated for its beautiful natural surroundings and rich Native American history.

Over the last century, the land has seen many improvements, including a spring-fed lake and a 1940s two-story stone home the couple planned to make their own. With a pool, outdoor kitchen, and garage having been added, the structure was somewhat modernized; however, small rooms, limited storage, low ceilings, and a lack of proper insulation began to be hard to overlook. “We met later in life, with our children already grown—or nearly grown—and we envisioned creating a forever home together,” the owner says. With the structure not playing into their plan, they decided selling the property and building on a new site was the only option.

Entry with a pair of green upholstered chairs flanking a textured grasscloth sideboard topped by a gilt mirror and framed botanical artwork
When the client visited Providence Design’s Little Rock showroom, she was drawn to this pair of green chairs. “We put these in the entry to introduce the color and then used pops of green throughout the house to make it feel cohesive,” Mannis notes. A textured grasscloth sideboard and contemporary artwork complete the look.

Across the country, some 1,500 miles away, California architect Bob Easton saw it differently. After reading about Easton’s work in a magazine, the couple reached out to him to set up a meeting during a trip to the area. “He was immediately struck by the beauty of the site and offered a suggestion we had never seriously considered: Tear down the old house and start over,” the owner explains. Twenty-four hours later—with the couple still in town—Easton presented them with hand-drawn floor plans and an elevation that took full advantage of the property’s stunning natural features. “That meeting changed everything. What began as a plan to leave the property ultimately became a decision to stay, honor its history, and create an entirely new home designed specifically for us in one of the most beautiful settings we had ever seen,” the owner says.

Living room with wood-paneled walls, a fireplace, green upholstered ottomans, and floor-to-ceiling windows overlooking the wooded property
Adjacent to the kitchen, the comfortable living room has an ever-evolving view of the landscape, which is accented with wood paneling and a natural, neutral palette.

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Green geometric-patterned daybed beside a fluted console table under abstract green-and-black artwork and a glass bubble chandelier
The living room’s daybed repeats the home’s green accent color, which is also echoed in the artwork.

In juxtaposition to the choppy, enclosed former house, the new one has a natural connection to the outdoors through large windows and open spaces. A stone exterior pays tribute to the site’s original home while also making the structure feel like an unobtrusive addition to the property. “Bob’s appreciation for the natural beauty of the site aligned perfectly with our own, and that trust became the foundation of the entire project,” the owner notes.

Dining room with a refinished light-wood table, slipcovered upholstered chairs, and a brass linear lantern beneath an arched window
While the couple started fresh with the majority of their furnishings, they wanted to keep their dining table. Mannis enlisted the help of Phinality Design to give the piece new life with a lighter finish and paired it with new chairs.

While it is often just the couple at home, their blended family gathers there as well. This meant designing areas the two could enjoy on their own, such as a private wing on the home’s second floor, as well as a connected kitchen and living room that allows groups to converse. The owners started material selections, including stone and countertops, and reached out to Ashley Brown of Peacock Cabinets in Dallas to design all the home’s cabinetry. “During those early meetings, Ashley repeatedly emphasized the importance of bringing an interior designer into the project before major selections were finalized. Her advice proved invaluable,” he says. Once again prompted by work they had seen in a magazine, they reached out to Mona Thompson Phelan and Kimberly Mannis of Little Rock–based Providence Design.

Neutral kitchen with a large stone-topped island, brass lantern pendants, a plaster range hood, and mixed painted and stained cabinetry
Brass accents add polish to the mix of painted and stained cabinetry in the neutral kitchen.

 

Drop zone with beadboard paneling, brass coat hooks, a cushioned built-in bench, and upper cabinetry above a herringbone wood floor
A drop zone connects the kitchen to the pantry, providing storage for coats and mail on the way into the home.

The two designers began the project together, selecting paint colors and tile, before Phelan retired and turned the reins—of both the project and the business—over to Mannis entirely. From there, Mannis created a symphony of fabrics, lighting, drapery, and bedding selections that gave the home the refined yet relaxed style the couple desired. “The client did a great job on the selections they chose before we were brought in,” Mannis says. “They had a vision before we came on board, but we were able to bring in the pieces and materials to make the vision real,” she adds.

Overflow prep kitchen and pantry with white cabinetry, open shelving, double wall ovens, and a second sink
Wanting an overflow kitchen for prep work as well as a dedicated pantry, this space was designed to accomplish both with extra appliances and a sink, along with plenty of concealed storage.

A neutral palette flows throughout the public spaces with the couple’s wing taking a prominent his-and-her stance that is reflected in the rich hues and stained cabinetry in the masculine bath, which contrasts with the soft pink cabinetry in her bath. “She’s very girly and loves pink, so we played that up in the bath and in her study,” Mannis says. “The entire home has a very elegant but comfortable style,” she adds. “Kimberly and her team took what had been a construction project and transformed it into a home. Their work brought warmth, personality, and livability to the spaces and helped complete the vision that began years earlier with a sketch from Bob,” the owner says.

Dark-stained wood vanity with a veined stone countertop, brass sconces, and navy-and-gold trellis wallpaper in a masculine bath
His bath is a study in masculinity with dark cabinetry alongside a graphic wallpaper that mimics the hues in the countertop’s veining.

 

Study with a sculpted applied-moulding ceiling, glass bubble chandelier, pale desk facing a black-framed window, and a pink desk chair
The owner found inspiration for the ceiling treatment that covers her study, and Mannis played off its design with a bubble chandelier. Her love of pink inspired the desk chair and other subtle accents throughout the space.

 

Primary bedroom with a wood-plank ceiling, a four-poster bed dressed in pink-and-white bedding, and an upholstered bench on wood floors
The primary bedroom has an immediate sense of warmth thanks to the wood flooring, a look that is mimicked on the ceiling. The four-poster bed is softened with light pink–and-white bedding.

During the build, the owners asked Easton how he would describe the style of the home. “Without hesitation, he simply replied, ‘It’s Arkansas. It’s an Arkansas country estate,’” the homeowner recalls. The pair thought this simple description was fitting. “It was never intended to feel imported from somewhere else. Instead, it was designed specifically for this property, this landscape, and this region,” he says. “The materials, scale, and overall character of the home reflect the natural beauty of the Arkansas Ozarks and the history of the site itself.”

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