A tired two-story in Beaumont, Texas, becomes a modern marvel with help from a savvy designer and her team at M. James Design Group.
Text: Andrea Fanning
Photography: Michael Hunter












As soon as Wes and Leigh-An Sonnier purchased a fixer-upper in one of Beaumont’s established neighborhoods, they contacted designer Melinda James for help. Dark walls, dreary carpet, and tired wallpaper ran throughout most of the house, along with beige tile that did little to prevent the structure from falling into the “outdated” category. So James was tasked with bringing the interiors into the present day with fittings, fixtures, and finishes that would suit the young homeowners and their lively, posh preferences.
“The house had good bones,” James says of the Sonniers’ property. “Wes and Leigh-An were actually living in one of my previous client’s homes when they purchased the Oakleigh house, and I had worked with them on their bedroom there. So we already knew we liked working together when we started this project.”
That established relationship gave the Sonnier family confidence in James’s ability to work some of her trademark magic in their new abode. While James and her team from M. James Design Group began their transformation plans, the family stayed away and gave the designers full access—with the exception of one demo-driven moment. “Before we had really gotten started, I had a call from Leigh-An,” James says with a laugh. “She told me she had already torn down the wall of the existing laundry room and couldn’t wait to show me.”


More demolition followed as the team oversaw the removal of elements that brought down the aesthetic: Built-ins were torn out, along with cabinets, countertops, and more.
Notes James, “We needed a clean canvas.” In conjunction with her daughter Ashley Crooks, her husband John James, and fellow designer Kelsey Rowe, James set out to “paint the mood of the home” and make the Sonniers’ design dreams come true.
“We strive to capture the spirit of the clients. And the way we do things is basically a family thing,” says James. “Ashley graduated from Savannah College of Art and Design with a concentration in fashion and textiles, so she brings that kind of expertise—a more layered look—to our work. And my husband has an art degree. We love to collaborate!”
As they designed the rooms for this project, the team considered their clients’ love of entertaining. “The Sonniers have excellent taste, so we tried to make everything feel a little bit indulgent, a little bit sensual,” James says. “But we didn’t want it to feel like you couldn’t touch anything. We went for European modern with comfortable accents.”
Just through the front door, the once-heavy entryway and hallway now open up into a clean pathway, giving a lovely view to the back of the home. James explains that the hallway originally had 16 electrical switches and now has only three to keep that area “clean and wide open.” To the left, the dining room contains a buffet that was already in the Sonniers’ possession, along with a Lillian August dining table, custom chairs, and French antiques.

Modern art punctuates the looks throughout, and it was Crooks who curated and assembled the pieces to give them a collected-over-time effect. Says James, “Now Wes and Leigh-An can add to it and keep the collection going.”

In the living room, a custom ceiling designed by Kelsey Rowe was fashioned from pecky cypress wood salvaged from the bottom of a Louisiana riverbed. The overall impression is one of subtle grandeur, set off by a vintage Murano glass chandelier from Jean-Marc Fray in Austin.
Restrained use of gilded and noir accents adds to the sophistication factor in this space, while Benjamin Moore’s Gardenia from the Affinity palette brightens the walls.
Other improvements included a new light-and-airy gourmet kitchen that opens to an adjacent keeping room. In the guest bedroom, closets were combined and walls changed to create a larger bathroom and to provide a multipurpose room where Leigh-An could work, craft, wrap gifts, and more.
“Kelsey drew up custom built-ins for that room, and we painted it a beautiful color from Benjamin Moore called Boudoir,” explains James. “I’ll never forget watching as Leigh-An walked into the living room for the first time and stood there for a while. Wes wrapped his arms around her and said, ‘What are you thinking?’ She was crying and said, ‘My house is so beautiful. I just can’t believe how beautiful it is!’ And that makes it all worth it.”
